2018 FLORIDA BOOK AWARDS COMPETITION OPENS WITH CALL FOR ENTRIES

The Florida Book Awards kicks off its 12th annual competition with a call for entries in 11 categories. The Florida Book Awards competition is coordinated through the Florida State University Libraries, with the support of partner organizations from across the state. The deadline for submissions is Jan. 13, 2019

 

Established in 2006, the Florida Book Awards is the most comprehensive state book awards program in the nation.The contest recognizes and celebrates the year’s best books written by Sunshine State residents, with the exception of submissions to the Florida Nonfiction and Visual Arts categories, whose authors may live elsewhere.

 

Contest categories include: Florida Nonfiction, General Fiction, General Nonfiction, Poetry, Popular Fiction, Spanish Language, Visual Arts, Young Adult Literature, Younger Children’s Literature (ages 0-6), Older Children’s Literature (ages 7-12) and Cookbooks.

 

In 2014, the Gwen P. Reichert Gold Medal for Young Children’s Literature was introduced, providing a cash prize for the gold winner in the Younger Children’s Literature category. This award is in memory of Gwen P. Reichert and serves as a lasting tribute to honor her accomplishments as a rare book collector, her dedication to nurturing authors and their audience and her commitment to children’s education.

 

The Richard E. Rice Gold Medal Prize for Visual Arts and the Phillip and Dana Zimmerman Gold Medal Prize for Florida Nonfiction were introduced in 2016.  

 

The Richard E. Rice Gold Medal Prize for Visual Arts supports a $500 prize for the Visual Arts Gold Medal Winner of the Florida Book Awards and serves as tribute to Richard E. Rice, who suffered from life-altering arthritis since childhood and spent a large amount of time in the hospital. From his hospital room, Rice discovered his artistic talent at the age of four and became a lifelong artist. Creating artwork offered Rice comfort, strength and joy, and this prize honors his talent and his commitment to art and to celebrate art and artists.

 

The Phillip and Dana Zimmerman Gold Medal Prize for Florida 

Nonfiction provides a $500 prize for the Gold Medal Winner of this category and serves as a tribute to the donor’s parents, Phillip and Dana Zimmerman, recognizing their deep roots in Florida and their love of Florida’s rich history and culture.

 

Applicants are encouraged to submit their books into competition any time after the competition is launched, and as soon as possible after books are officially published. Entries, which can be submitted by anyone, must be published between Jan. 1, 2018, and Dec. 31, 2018, and have an International Standard Book Number (ISBN).  All entries must be received no later than 5 p.m. Friday, Jan. 13, 2019 (this is not a postmark deadline).

 

Three-person juries –– including members of co-sponsoring organizations, subject experts from the faculties of Florida colleges and universities, and previous Florida Book Award winners –– will choose up to three finalists in each of 11 categories. The jury may award one Gold, Silver and Bronze medal in each category.

 

Co-sponsors of the competition include: Humanities organizations from across the state, such as the Florida Center for the Book, the State Library and Archives of Florida, the Florida Historical Society, the Florida Humanities Council, the Florida Literary Arts Coalition, the Florida Library Association, the Florida Association for Media in Education, the Center for Literature and Theatre @ Miami Dade College, the Florida Chapter of the Mystery Writers of America, Friends of FSU Libraries, the Florida Writers Association, the Florida Literacy Coalition and “Just Read, Florida!”

 

The 2018 winners will be announced in early March 2019 and recognized at several events around the state, including an awards banquet in April.

 

Winning books and their authors will be showcased in the summer 2019 issue of FORUM, the statewide magazine of the Florida Humanities Council, and will be featured at book festivals and association conferences throughout the year. In addition, copies of all award-winning books will be put on permanent public display in the Florida Governor’s Mansion library and in Florida State University’s Strozier Library.

 

For general information and the entry form, requirements and detailed submission instructions, visit http://floridabookawards.lib.fsu.edu.

CONTACT: Jenni McKnight, Executive Director, Florida Book Awards

(850) 644-6323; jlmcknight@fsu.edu

 

Chase Miller, Florida Book Awards Communications Director

(850) 644-5211; floridabookawards@gmail.com

Ever wonder how many people visit Strozier and Dirac?

 

Long lines at Starbucks, lines backed up at the turnstiles and the constant search to find the best study spots. Sound familiar? FSU Libraries are one of the most visited places on campus and for good reason! We offer numerous services to help both students and faculty succeed including everything from free tutoring, equipment checkout, 3d printing, digital research scholarship, and not to mention over 2 million items in our collections. Ever wonder exactly how many people pass through our doors each semester?

When we examine how many student, faculty, staff, or guests have visited either Strozier or Dirac Science Libraries or both, we calculate a total of 37,499 unique visitors for the fall 2017. More of the unique visits tend to be those who visit Strozier or both Dirac and Strozier at least once during the semester.  The “both” in the following Venn diagram, means those individuals who went to both libraries at least once during fall 2017 (18,014).

 

 

Strozier & Dirac – A destination for students on the main FSU campus

In the fall 2017, of the total student body of 41,900 students, 42% visited Dirac Science Library and 66% visited Strozier at least once. Of these unique visits, 17,824 were students visiting Dirac and 27,682 setting foot into Strozier. 83% of the unique visits in Dirac were students and 81% of the unique visits were students in Strozier. 

FLORIDA STATE UNIVERSITY JOINING OPEN TEXTBOOK NETWORK TO ADDRESS AFFORDABILITY CONCERNS

Florida State University Libraries is joining the Open Textbook Network (OTN) to encourage broader adoption of free, openly licensed textbooks and course materials that are available at no cost to students. The OTN is an alliance of 600 institutions working together to promote access, affordability, and student success through the use of open textbooks.

The cost of commercial course materials has risen at 300% the rate of inflation since 1978, and research suggests that this trend has a number of negative impacts on student success. According to the College Board, undergraduates spend an average of $1200 on textbooks annually. Faced with these costs, many students choose to not buy a required text, make do with an older edition, or take fewer courses — and some even drop or fail a course completely.

In addition to hosting the Open Textbook Library, arguably the premier source of peer-reviewed open textbooks, the OTN promotes broader adoption of these resources at member institutions through:

• Faculty development workshops to support instructors in identifying and adopting open textbooks for their classes;
• Staff training to enhance institutional support for open textbook adoption on campus;
• Collecting data to demonstrate the impact of open textbook adoptions on affordability and student success.

“As only the second university in Florida to join the OTN, FSU is positioned to become a statewide leader on textbook affordability,” said Julia Zimmerman, Dean of University Libraries. “We believe that this membership will yield significant benefits for faculty and students across the University, providing our faculty and staff with expert training on how to find, evaluate, and implement open textbooks, and generating tremendous savings to students as a result.”
To date, OTN member institutions have saved their students over $8.5 million dollars on course materials. The Open Textbook Library includes over 400 titles, the vast majority of which have been peer-reviewed by experts across the country. Further, the OTN reports that approximately 40% of participants in its faculty development workshops go on to adopt open textbooks in their courses, resulting in near-immediate savings for students without compromising academic freedoms or integrity.

FSU Libraries plans to host OTN workshops for faculty and staff in Fall 2018, during International Open Access Week, Oct. 22-28. These workshops follow the University’s first Open Education Symposium, which the Libraries hosted in March 2018. More details about the Fall 2018 workshops will be announced as they become available.

For more information about FSU’s OTN membership or the Libraries’ Open & Affordable Textbook Initiative, contact Devin Soper (dsoper@fsu.edu | 850.645.2600). For more information about open textbooks and educational resources, more generally, visit http://guides.lib.fsu.edu/oer.

#DayofDH2016, DigiNoles edition

Here at FSU, we are starting to create connections between different members of the campus digital humanities community. Now, we hope to build a network within a wider global community.

Day of DH is a yearly event where digital humanists from across the globe share what digital humanities means for them. This year’s theme, “Just what do digital humanists really do?,” is meant to highlight the day-to-day work of a those identifying with the larger DH community.

FSU is picking up steam on the teaching and learning side of DH. Our Program in Interdisciplinary Humanities is launching an M.A. in Digital Humanities and is accepting its first class this fall. Dr.’s Lisa Wakamiya and Allen Romano are at the helm of that program, and working diligently to interweave broad research interests, affiliated faculty from around campus, and the libraries into a rich program of study.

University Libraries plays an active role in the DH community. Our Office of Digital Research and Scholarship and Special Collections and Archives department are center points for content and expertise on developing digital projects. We are excited to partner on the upcoming symposium, Invisible Work in Digital Humanities, set for Nov. 17-18th. We are also developing a model for growing our DH community, pedagogy, and projects simultaneously: we percolate (open office hours), incubate (structured proposal/project development cohort), and then accelerate (project management and completion.)

Finally, we are proud to feature the work of a few faculty members doing digital humanities here in Tallahassee in the featured profiles below. This list is by no means exhaustive, just the 6 folks that emailed us back to be included here. 😉

Our Digital Humanists

Digital humanities work is being conducted across several departments, from the iSchool to the department of English. FSU is even starting to think about how to do work collaboratively across multiple departments:

Paul Marty

Paul F. Marty is a Professor in the School of Information at Florida State University. His research and teaching interests include museum informatics, technology and culture, innovation and design, and information and society. His academic work centers on the study of museum informatics, which explores the sociotechnical interactions that take place between people, information, and technology in museums. He has long been interested in how digital technologies can improve understanding of and access to our shared culture, and his research in this area looks at the intersection of technology and culture in our schools, our professions, and our everyday lives.

Tarez Graban and Richard Urban

The Linked Women Pedagogues Project is a multidisciplinary collaboration between myself and Dr. Tarez Graban, Dr. Stephen McElroy (FSU Department of English) and Sarah Stanley (FSU Libraries, Office of Digital Research and Scholarship). The LWP project will extend Dr. Graban’s work to simultaneously trace the intellectual influence of women in the field of rhetoric and writing studies and contribute to critical historiography. Women’s archival representation in rhetoric and writing studies has been flattened by the incremental circulation of their texts, projecting significant gaps in public canons from about the 1870s to 1970. Sometimes these gaps are the result of archival collecting practices, but in other cases they are due to the contingent or untenured positions held by women pedagogues. This combination of archival practice and institutional mobility makes it more difficult to locate them in traditional venues such as conference programs, published textbooks, or faculty course lists, inspiring us to look for other locations or spaces where their influences might be visible. In response, LWP moves feminist historical inquiry towards a model of locatability: a flexible ecology that describes how histories get written as a result of historians’ interventions with them, how those histories get valued or devalued through the circulation of archival resources, and how intellectual capital is assigned or not assigned through various history writing practices.

FSU has several projects that bring together areas of study from across the globe, from Japan to Serbia to Italy. The following is just a sampling of the work being done today.

Ariel Stilerman

Understanding the Japanese Tea Ceremony (chanoyu) requires experiencing it in person and through one’s own hands. My course The Tea Culture of Japan (Spring 2016), in addition to traditional text-based learning, offers students access to the actual rare materials that are at the heart of chanoyu: they participate in a hands-on tea ceremony at the Tallahassee Buddhist Community, they make tea bowls with the CeramiNOLES (FSU’s student-led ceramics club), participate in a student-led Kimono workshop, and join a session led by a collector of traditional Japanese objects. As preparation for this fieldwork we use media analysis. Using the Mediathread online platform, I created two assignment that involve the analysis of visual media: in one of them students annotate collaboratively the film Rikyû (1989), which depicts the origins of chanoyu; in the other, students upload an image of a material object and annotate it on the screen. Both assignments ask students to comment on each other’s annotations. Students have consistently reported that these media analysis assignments contribute to their knowledge, capacity of critical evaluation, and interest in the discipline of chanoyu. Mediathread was developed by Columbia University; this summer I will work with a group of Computer Science majors at FSU to develop a similar tool for our specific environment.

Sarah Craft

The Southeastern Europe Digital Documentation Project (SEEDD) is a collaborative effort with Brown University’s Dr. Anne Chen. SEEDD aims to document and promote the prominence of southeastern Europe in the archaeology of the middle and late Roman empire. Sarah Craft, a Postdoctoral Fellow in Classics, is currently working with the Digital Research and Scholarship (DRS) team to develop a prototype with which to test and demonstrate the flexibility and usefulness of such an endeavor. As such, the SEEDD Project has a strong pedagogical component: undergraduate students in Dr. Craft’s current ARH4154/5161 Archaeology of the Later Roman Empire course are basing their final projects on SEEDD documentation procedures, and in the process, they are gaining important research skills while also contributing to an active research project.

Silvia Valisa

In collaboration with the FSU Libraries Digital Research and Scholarship team, I recently completed a first sample of the digitization of the Italian newspaper Il secolo. As many other fragile primary sources, Il secolo was until now accessible only in situ, at Italian National Libraries, in microfilm or CD form. The digitization that is currently presented by FSU allows access to Il secolo from anywhere. While our hope is that each user will find different applications and ways to interact with Il secolo, the primary uses that we have envisaged in creating this resource are research and teaching oriented. The digitization enables researchers to easily access the periodical as a primary material source for their scholarly work. It also gives teachers the flexibility to use it in a classroom setting, as a resource tool through which students can acquaint themselves with the lexicon, style, and content of such an innovative newspaper. Within both contexts, Il secolo can be used as a linguistic tool, to analyze how the Italian language has changed since then; as a thematic and historical reference, to understand what events were deemed newsworthy by the journalists and the public; and as a literary source, as it allows today’s readers to access the most widely read novels of the time (feuilletons), published in installments in each issue. Finally, Il secolo contains several individual authorial voices that are very important to our understanding of that time period, and in particular to the evolution of the political and social thought of the Democratici (broadly speaking, the representatives of the left and extreme left in and outside of Parliament) in the post-Unification years.

* Post actually written/drafted by Sarah Stanley, our resident/acutal digital humanities guru, who can teach herself any digital tool in less than a week. In preparation for a Wikipedia Edit-a-thon next week, a launch point for a larger project we’re involved in, Sarah mapped stub articles to help us visualize the lack of representation for Caribbean architecture on Wikipedia. In December, she taught herself Drupal, in a week, to spin up the Dr. Valisa’s Il Secolo project website. Sarah also Gephi-ized the network of digital people, places and projects here at FSU. Go Sarah, the ultimate DigiNole!